Founded in Detroit in 1903 by Mary Chase Perry Stratton and Horace Caulkins, Pewabic Pottery is famous for its iridescent glazes and architectural ceramic tilework. The studio’s shimmering metallic finishes, often in blues, greens, and golds, made it a leader in the American Arts and Crafts movement.

Genuine Pewabic pieces are typically marked with the impressed “PEWABIC DETROIT” stamp or variations of the studio’s logo. Many works also reveal distinctive iridescent glaze effects and a solid, high-quality clay body. Architectural tiles, vases, and bowls remain the most recognizable forms.

Collectors especially prize early iridescent vases with rich metallic glazes, along with hand-crafted tiles featuring nature-inspired or geometric designs. Pewabic’s larger decorative vases and rare exhibition pieces also draw strong interest in the art pottery market.

Condition directly affects both value and desirability. Because Pewabic’s glazes are delicate and prone to wear, pieces with intact, luminous surfaces are most sought after. Chips, cracks, or restoration can significantly reduce value.

As one of the few Arts and Crafts potteries still in operation today, Pewabic bridges historic craftsmanship and modern design. Its tiles grace landmarks such as the Detroit Institute of Arts and the Basilica of the National Shrine in Washington, D.C., underscoring the studio’s cultural legacy.

Van Briggle Pottery is best known for its Art Nouveau inspired vases with flowing organic forms and soft matte glazes in turquoise, mulberry, and mountain crag brown. Pewabic gained fame for shimmering iridescent glazes and architectural tilework that adorns major landmarks. Both are cornerstones of early 20th century American art pottery, yet they represent distinct artistic visions.